Rolling Stones' 1966 Album Aftermath

The Rolling Stones' 1966 album Aftermath showcased Mick Jagger and Keith Richards' songwriting prowess.

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Rolling Stones' 1966 Album Aftermath

The Rolling Stones' 1966 album Aftermath showcased Mick Jagger and Keith Richards' songwriting prowess.

In brief

The Rolling Stones' 1966 album Aftermath showcased Mick Jagger and Keith Richards' songwriting prowess. The Rolling Stones' 1966 album Aftermath featured Jagger and Richards' original songs, marking a shift in their creative output. Originally reported by American Songwriter.

Aftermath's Historical Context

The Rolling Stones' 1966 album Aftermath was their first major release of original songs after relying on covers for their first three albums.

Jagger and Richards' Songwriting

Mick Jagger and Keith Richards wrote all 14 tracks on the UK version of Aftermath, including the hit 'Paint It Black'.

Brian Jones' Contributions

Brian Jones' Contributions

Brian Jones added sitar, vibraphone, and harmonica to transform hits like 'Paint It Black' and 'Under My Thumb'.

Songwriting Themes

Jagger and Richards wrote about their romantic relationships, with some songs criticized for demeaning women.

Album's Impact

Aftermath's success led to the Stones pursuing a baroque, psychedelic path, eventually resulting in Their Satanic Majesties Request.

Long-Term Significance

Long-Term Significance

The album provided confidence to Jagger and Richards as songwriters, influencing the band's future hard-rock direction.

The key point

The Rolling Stones' 1966 album Aftermath featured Jagger and Richards' original songs, marking a shift in their creative output.

Read the original on American Songwriter

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