Why remake a classic?

News of a new Sense and Sensibility adaptation sparked dismay, with many asking how anyone could top Ang Lee's nineteen ninety-five version starring Emma Thompson and Kate Winslet.

Fresh takes matter

The idea that fine adaptations must be stopping points rather than springboards is alarming. New audiences deserve their own fresh take, and new actors should have a chance at these roles.

Oakley's amiable reading

Director Georgia Oakley brings an amiable, occasionally sluggish reading to Austen's debut novel, published anonymously in eighteen eleven. There is nothing offensive about it, and plenty that is lovely.

The Dashwood sisters' story

Daisy Edgar-Jones and Esmé Creed-Miles play Elinor and Marianne Dashwood, sisters whose temperamental differences temporarily drive them apart after their father dies and they must leave their home.

Romance and economics

Elinor, ever sensible, has fallen for Edward Ferrars, Fanny's kind and modest brother. Marianne, a dreamer, pursues the flirty Mr. Willoughby, though Colonel Brandon also circles. Economics of making a good match loom.

Creed-Miles brings Marianne alive

Esmé Creed-Miles shows Marianne's self-centered quality and pride in wearing her heart on her sleeve. When Marianne is truly hurt, the bruised anguish in Creed-Miles' eyes makes us hurt for her.

Edgar-Jones plays Elinor with fire

Daisy Edgar-Jones plays the practical sister with subdued fire, giving clues to Elinor's submerged longing only in flashes. She plays Elinor as reserved without making her recessive, showing her desire to break free.

“always being right”

An Austen heroine for now

In an age of lowered expectations for movies, romance and everything else, Elinor may be the Austen heroine we need, ready to break out of the box she has drawn around herself.