From Variety · Owen Gleiberman · · 1m 10s
Resident Evil reboot trades depth for funky monster mayhem
Zach Cregger ditches the video-game sludge for a lighter, loopier take on the horror franchise.
In brief
Zach Cregger ditches the video-game sludge for a lighter, loopier take on the horror franchise. Cregger's Resident Evil succeeds by abandoning the source material's grimness and embracing absurdist fun instead. Originally reported by Variety.
Cregger's last film was a horror masterpiece
Zach Cregger's "Weapons" became a sleeper hit by blending majestic creepiness with emotional depth, weaving witchy stolen-child mythology into suspenseful human drama.
“One of the many splendid things about Zach Cregger's "Weapons" is that it was a horror film made with humanity.”
Then he chose to reboot Resident Evil
After "Weapons" became a sensation, Cregger announced his next project would be a reboot of Resident Evil, the most inhumane horror series of the last 25 years.
The reboot ditches video-game sludge
Cregger's Resident Evil abandons the franchise's typical grimness and source-material baggage, instead embracing a lighter, more absurdist approach to the material.
Austin Abrams fights viral monsters
Austin Abrams, known from "Weapons," plays a medical courier fending off viral creatures in a throwaway horror film that spirals into symphonic loopiness.
It's funky monster fun, not sludge
The film succeeds as a one-man-against-squish-zombies lark that never gets bogged down, trading the franchise's typical inhumanity for playful, energetic horror.
The essence
Cregger's Resident Evil succeeds by abandoning the source material's grimness and embracing absurdist fun instead.





