# Strymon Flint V2: The reverb and tremolo pedal to beat

> The updated version of the world's most popular reverb-tremolo combo pedal adds MIDI and stereo input while keeping the legendary sound.
- Title: Strymon Flint V2: The reverb and tremolo pedal to beat
- Summary: The updated version of the world's most popular reverb-tremolo combo pedal adds MIDI and stereo input while keeping the legendary sound. The Flint V2 remains…
- Keywords: strymon, flint v2, reverb pedal, tremolo pedal, guitar effects, john mayer, midi, boutique pedals, guitar gear, effects pedals, pedalboard, guitar world
- Source: Guitar World — https://guitarworld.com/gear/effects-pedals/strymon-flint-v2-review
- Published: 2026-09-16T19:04:44+00:00
- Read time: 3 min
- Topics: strymon, flint v2, reverb pedal, tremolo pedal, guitar effects, john mayer, midi, boutique pedals, guitar gear, effects pedals, pedalboard, guitar world
## Strymon dominates the reverb world
Strymon commands the reverb pedal market like Gibson and Fender do for guitars. The brand's influence is unmatched in this space.
## The Flint is everywhere
John Mayer, Noel Gallagher, Billy Corgan, Gary Clark Jr., and Graham Coxon have all used it. For Mayer fans, it's a crucial part of his rig.
## Built like a tank
The Flint has a robust brushed-aluminum chassis that protects the circuits inside. It's proven to be one of the most hard-wearing workhorse pedals available.
## Compact but not tiny
While not exactly small, the Flint doesn't take up too much pedalboard space considering it hosts two effects. Any space sacrificed is worth it.
## Intuitive and easy to use
Each effect gets its own side with a bypass switch, three-way toggle, and dedicated controls. Normal operation is so easy you could do it in your sleep.

> If, like me, the sight of a BigSky MX gives you cold sweats, the Flint is an excellent entry point into top quality Strymon effects.
## MIDI adds 300 presets
The V2 added MIDI connectivity, letting you save and recall up to 300 presets using an external controller. It can be a faff to set up though.
## Hidden secondary controls
Pre-Delay, Tap Division, and Boost/Cut are tucked away. You access them by holding footswitches, which isn't the most intuitive layout.
## Three reverbs, three tremolos
You get '60s Spring Tank, '70s Electronic Plate, and '80s Hall Rack reverbs. Tremolos include '61 Harmonic, '63 Power Tube, and '65 Photocell.
## Mix and match any combo
Thanks to independent toggles, you can pair any reverb with any tremolo. The V2 also lets you determine the order of effects.
## The '60s spring reverb shines
Set on the '60s mode with controls around noon, you get a no-nonsense spring reverb reminiscent of vintage tube amps. It's digital but could fool anyone.
## Subtle tremolo for lead lines
With Intensity around noon and Speed at nine o'clock, you get a tone tonic that thickens lead lines and adds character to jangly melodies.
## Ambient soundscaping capabilities
The '80s Hall setting with cranked Mix and Color creates incredible textural pads. It filled a 30,000 capacity stadium magnificently.

> I used the Flint when I played at Portman Road Stadium, and the thought of those reverbs still gives me goosebumps.
## Color control adds grit
When bumped, the Color control gives a darker vibe with almost gritty character. It affects decays with an irresistible musical break-up.
## Extreme tremolo gets gnarly
Crank the controls for choppy, seasick-inducing warbles. Pair it with fuzz and overdrive for bit-crushy, shoegaze tones.

> You can really crank the controls to get into gnarly, choppy territory.
## Stereo input is a gamechanger
The V2 adds a Mono/Stereo input switch. The V1's sum-to-mono input was problematic when running stereo effects like chorus beforehand.
## Premium analog input circuit
The V2's JFET input circuit offers improved responsiveness to playing dynamics. It's particularly noticeable when rolling back guitar volume.
## The simplest solution wins
As a standalone reverb, you'd struggle to find three better algorithms in one unit. Add three distinct tremolos and it's a winning formula.

> It's good enough for some of the most particular toneheads on the planet, and it's good enough for me.
## Still the pedal to beat
It's the most popular reverb-tremolo pedal on the market for a reason. You can't get any better for what it is at $349.

> It's one pedal that has never left Mayer's pedalboard and except for some very minor cases, I doubt it will ever leave mine.
## Key takeaway

The Flint V2 remains the best reverb-tremolo combo pedal available, with world-class algorithms, intuitive controls, and new MIDI capabilities.